A few photos from the 3-31-14 rehearsal
A few photos from the 3-31-14 rehearsal
Please download and fill out the information form below before auditions on Monday and Tuesday.
Please report to the Loft immediately afterschool. Thank you to all who auditioned.
Holly Brown | Brendan Finn | Maddie Berg |
Brenna Masgai | Maggie Eckberg | Megan Deppa |
Brandon Thompson | Samantha Wynn | Sam Joson |
Katie Thoreson | Christina Sieben | Jamie Durose |
Carl Erikstrup | Erin Foy | Caroline Kieffer |
Makayla Longcor | Devonte McClam | Kaylee Cates |
Ryan Richardson | Thomas Sullivan | Quintin Walker |
Olivia Kieffer | Cali Yee | Garrett Hildebrandt |
Anna Reimann | Beth Martin | Naomi Ridley |
Suzanne Melin | Mark May | Mara Jones |
Adam Behnken | David Kim |
Thank you to everyone who auditioned and congratulations to the cast. Please meet in the theater at 3:15pm tomorrow (Thursday) afternoon.
Atilla | Brendan Finn |
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Brunhilda | Kaylee Cates |
Cleopatra | Samantha Wynn |
Stepmother | Naomi Ridley |
Mouse #1 | Quintin Walker |
Mouse #2 | Cali Yee |
Cinderella | Caroline Kieffer |
Apprentice | Erin Foy |
Mistress Haughty | Christina Sieben |
Major Domo | Garrett Hildebrandt |
The Prince | Luke Syrstad |
The Page | Adam Behnken |
Fairy Godmother | Beth Martin |
Pumpkinhead | Brandon Thompson |
Lady Ursula-Ursula | Brenna Masgai |
Lady Blossom | Mara Jones |
Captain | Ryan Richardson |
Lady Vine | Suzanne Melin |
Lieutenant | Mark May |
Queen | Olivia Kieffer |
Citizen #1 | Holly Brown |
Citizen #2 | Thomas Sullivan |
Party Guests | Maggie Eckberg |
Anna Reimann | |
Makayla Longcor | |
Sam Joson | |
Carl Erikstrup | |
Devonte McClam |
THE GLASS SLIPPER will be performed in the Commedia dell’Arte style, a humorous style of theater that originated in Italy around the 16th century, when traveling troupes performed on temporary open-air stages in city streets and courtyards. Historically, commedia dell’Arte drew upon the improvisational skills of professional actors, who incorporated bold costume elements and props to perfect a specific role—usually a recognizable social type or stock character, such as the foolish old man, the devious servant, or the brash soldier. While the story lines were standard, typically involving the struggles of young lovers or the comeuppance of a dimwitted authority figure, the actors improvised upon this basic plot, tailoring their performances to individual audiences with sly political commentary or bawdy innuendo. The only scripted parts were the zany comic relief interludes–essentially well-rehearsed mayhem. With The Glass Slipper’s running time of just over one hour, this means ERHS actors and audiences can expect big fun packed into a small show.