by Kate Hamill
Based on the Novel by Jane Austen
directed by Sarah Arnold-Simondet

Synopsis:
This isn’t your grandmother’s Austen! Bold, surprising, boisterous, and timely, this P&P for a new era explores the absurdities and thrills of finding your perfect (or imperfect) match in life. The outspoken Lizzy Bennet is determined to never marry, despite mounting pressure from society. But can she resist love, especially when that vaguely handsome, mildly amusing, and impossibly aggravating Mr. Darcy keeps popping up at every turn?! Literature’s greatest tale of latent love has never felt so theatrical, or so full of life than it does in this effervescent adaptation. Because what turns us into greater fools…than the high-stakes game of love?

Auditions:
Auditions for Pride and Prejudice will be December 3rd and 4th 3:15-6:00 (with the potential of ending earlier). Auditions will be held in the Black Box.

Students will use the following Google form to register for auditions: Audition Form

You may be asked to read multiple sides both at auditions and at callbacks. If you would like to prepare, please take a look at the following sections.

Audition Sides:

SIDE 1: Lydia’s Return

SIDE 2: The Long’s Ball

SIDE 3: Netherfield

SIDE 4: Collins

SIDE 5: Netherfield Ball

SIDE 6: Roslings

In auditions, we are looking for actors who are specific and bold with their character choices. Your character choices should show what makes the character unique while still being part of the team.

Roles:

JANE: Late 20s-Early 30s. The eldest Bennet daughter. Kind, idealistic, diffident. Always tries to do the right thing

MISS DE BOURGH: Lady Catherine’s daughter; a gremlin. Probably allergic to the sun. Underneath all her veils, she may be covered in scales. 

LIZZY: A year or two younger than Jane. Clever, spirited; can be sharp-tongued.  Prides herself on good judgement. Very very scared of marriage, after absorbing the lesson of her parent’s marriage. 

LYDIA: 14. The youngest Bennet. Lively prone to imitating others’ behavior and eavesdropping. 

LADY CATHERINE: Patrician Caesar-meet-drill-sergeant. An older rich aristocrat and she knows it. 

MR DARCY: Late 20s-30s. One of the richest men in England. Too proper for his own good; awkward in most social contexts. Prides himself on self-control and good judgement. 

MR COLLINS: A pedantic, obtuse man. The original mansplainer. Rector to Lady Catherine

WICKHAM: An unfairly charming gentleman. Probably a sociopath. Raised with Darcy. 

MR BINGLEY: Late 20s-30s. Lovely the world and the world loves him. Darcy’s best friend. 

MARY: The third Bennet girl. Prone to sulking. A dark gothic character. Coughs to get attention, or to make a point; may fancy that she is dying.

CHARLOTTE LUCAS: Same age as Lizzy. A practical girl with a good sense of humor. 

MR BENNET: The patriarch of the Bennet family. Finds amusement in absurdity; often looks for respectable escape from his family. Can be somewhat apathetic; probably a bit depressed, under everything. Enjoys antagonizing. Disappointed in marriage. 

MRS BENNET: The matriarch of the Bennet family. Mostly a silly woman, of mean understanding and variable temper. The business of her life is to get her daughters married.

Callbacks:

Callbacks will be Dec 5th from 3:15 – 6:00pm. The first read thru will be Dec 8th at 3:15pm. Standard rehearsals will begin Dec 9th and the schedule is on the rehearsal calendar.

Thank you to the Matilda crew for the time you’ve put in thus far to make this production a success. There is still a long way to go, so don’t let up!

Below you will find crew assignments for the performance crew. You must send me a message via Remind or an email to accept your crew position.

As a reminder, the following dates are all mandatory for the performance crew:

Monday, October 27th from 3:15-7pm – Sit Sing w/ Orchestra (sound crew only)
Tuesday, October 28th from 3:15-7pm – Rehearsal (sound crew only)
Wednesday, October 29th from 3:15-6pm – Rehearsal (sound crew only)
Thursday, October 30th from 3:15-6pm – Rehearsal (sound crew only)
Friday, October 31st from 3:15-6pm – Rehearsal (sound crew only)
Saturday, November 1st from 8am-6pm or later – Tech Saturday
Monday, November 3rd from 3:15-10pm- Dress Rehearsal
Tuesday, November 4th from 9am-4:30pm – Dress Rehearsal
Wednesday, November 5th from 3:15-10pm – Dress Rehearsal
Thursday, November 6th from 3:15-10pm – Dress Rehearsal
Friday, November 7th at 5pm – Performance Call Time
Saturday, November 8th at 5pm – Performance Call Time
Sunday, November 9th at 12pm – Performance Call Time
Friday, November 14th from at 8:30am – Performance Call Time
Friday, November 14th at 5pm – Performance Call Time
Saturday, November 15th at 12pm – Performance Call Time
Sunday, November 16th at 12pm – Performance Call Time and Strike

If you don’t see your name on the list and want to participate on performance crew, please contact me. All those that expressed interest in participating on the performance crew, and have logged hours for a crew call, have been given a position.

Jimmy
Technical Director

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For those that were unable to attend the parent meeting for the musical, Matilda, you can find the meeting presentation below. If you have any questions, please don’t hesitate to reach out to one of the directors.

Matilda Parent Meeting Presentation

For those that weren’t able to make the tech crew kick-off meeting, please find the presentation below. If you have questions after reviewing the presentation, please contact the technical director, Jimmy at jstocco@theloftstage.org.

Tech Crew Presentation

Please complete the following tech interest form so that we know what you are interested in doing. Performance crew positions will be announced by Friday, October 3rd. Participation on a production crew is open to anyone who is interested.

Tech Crew Interest Form

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